Conductor Joan Enric Lluna
De Falla El Amor Brujo
Beethoven Symphony no. 7
El Amor Brujo
El amor brujo is the story of a young Andalusian gypsy girl called Candela. As a girl, she was promised to be married to another man (then a boy), although her affections are directed to Carmelo. After many years Candela's husband has died (at the hands of Lucía's husband) but he continues to haunt his wife.
The entire village knows about the haunting but still brands Candela as crazy because she dances every night with her Husband's ghost (Danza del terror). Candela, now a widow, is free to establish a relationship with Carmelo, but continues to be haunted by her husband's ghost.
After a conversation with other women of the village, Candela finally comes to realise that her husband was unfaithful to her, despite all the efforts that she did to make their marriage work, her husband's lover was revealed to be Lucia.
Candela and Carmelo get advice that a ritual dance is necessary to cast the ghost off (Danza ritual del fuego), but it does not work. The ghost is still obsessed with Candela's soul.
Candela manages to trick Lucía to come that night, with the excuse of hooking her up with Carmelo. As she turns up, the nightly ritual of Candela's dance with her husband's ghost begins, but at the last moment Candela moves away from her husband and Lucía is taken away by her now dead lover (Danza del juego de amor).
Dawn breaks, Candela and Carmelo are now truly free to enjoy their love. [more from Wikipedia]
Beethoven Symphony No. 7
The Symphony No. 7 is in four movements composed between 1811 and 1812, while Beethoven was improving his health in the Bohemian spa town of Teplice. The work is dedicated to Count Moritz von Fries.
At its première, Beethoven was noted as remarking that it was one of his best works. The second movement, Allegretto, was the most popular movement and had to be encored. The instant popularity of the Allegretto resulted in its frequent performance separate from the complete symphony.
The work as a whole is known for its use of rhythmic devices suggestive of a dance, such as dotted rhythm and repeated rhythmic figures. It is also tonally subtle, making use of the tensions between the key centres of A, C and F. For instance, the first movement is in A major but has repeated episodes in C major and F major. In addition, the second movement is in A minor with episodes in A major, and the third movement, a scherzo, is in F major [more from Wikipedia]